AirSpace Projects is currently closed while we install the May Exhibitions
5-21 May 2017
10 Junction Street, Marrickville
Just 6 minutes easy walk from Marrickville Station
Opening Event: Friday 5 May, 6-8pm
Artist Talks: Saturday 20 May, 3-5pm
Open Sunday 21 May from 11-5 for the 20/21 May
Inner West Studio Trail
Prolegomena: About filters, codification and domestication
“One must distinguish between what is understood and what is not understood”
Prolegomena: About filters, codification and domestication stems from an attempt to expose the precarious basis of the human communicational/epistemological system. Understood from signic to symbolic systems, including all the complexities associated with the interpretation of meaning (hermeneutics).
Focusing on the treatment of certain semantic and linguistic theories (namely those of Ferdinand de Saussure, Charles S. Pierce, Umberto Eco, Edmund Husserl, Foucault, etc.), the investigation is presented as a triadic system of understanding the world
(filters, codification and domestication), with the possibility of emancipation via a fourth subversive one: The language of poetics; that constant which creates the intertextuality among apparently dissimilar topics, the epiphany after a paroxysm, the slang, the neologism, the mystics of the absurd.
“The irony rises and subverts; humour falls and perverts”, says Foucault in his Theatrum Philosophicum, and the proposal emphasises this; the best way to learn and destroy is through humour & confusion (at least that is what we think for now).
Note to the public:
This exhibition is just an ‘attempt’ and therefore we take full responsibility for the suicidal task. Any complaints will only be received in written form, with the exception of those individuals who may lack hands.
The Illusion that is Reality
The Illusion that is Reality explores the phenomenon of virtualisation, which is often referred to as ‘blended reality’. It describes the time and space that allows a person to experience different realities, which in Jang’s case, is explored through virtual layers employing mobile technologies.
Jang’s work encapsulates the process of virtualisation and how it exceeds the limits of our physical world by creating another dimension for individuals to experience. This transition into a new dimension, an unconscious world, opens the possibility to travel into the world of dreams and imagination.
Jang uses her body to map the city area by undertaking a series of walks over a period of several months. Her routes are then reviewed and processed through Google maps and translated into a series of scratch holograms, an analogue technique of drawing on aluminium to make representations through light diffraction, reflection and interference. By allowing the elusive, moving effects of the scratch holograms and the line drawings in aluminium to co-exist, Jang balances the modalities of actual and virtual.
Facade of Memory
Facade of Memory is an installation presented by artist Stella Chen. This exhibition questions the accuracy of recollection and portrays the present as a state of flux. Chen’s work locates itself in the past and present by delving into the unreliable, fraudulent and fragmented nature of memory.
Chen comes from a traditional family in Taiwan and lives as a migrant in Australia. For Chen, the sense of dislocation created by making a home in a new country holds parallels to the traditional cultural practice of ‘Tongyangxi’, whereby girls are adopted into the family of their future husbands. Chen explores her personal history through the execution of a caged hoop skirt, which signifies her immersion into Western society while simultaneously symbolising female identity within a patriarchal world.
Ajay and Vinita Sharma
Review before the Storm
Ajay and Vinita Sharma have been exhibiting their works at AirSpace Projects since 2014. In September this year, they will be exhibiting new original works and a selection of copy-works in the tradition of Indian miniature painting. Ajay is a master miniature painter from Jaipur and is internationally renown for both his original paintings on paper and copy-work, which is particularly defined by his mastery of natural pigments and subject matter. He has exhibited his work at the Julie Saul Gallery in New York in collaboration with Julie Evans, an exhibition that featured in major journals such as Art in America and Artforum. Vinita exhibited her fine original and copy-works in her first solo exhibition at AirSpace Projects in 2016. Vinita has been involved in Ajay Sharma’s production and teaching studio for at least twenty years and her work is now receiving attention in its own right. This is an exciting opportunity to view their works currently available for sale at AirSpace Projects.