Archives for the month of: November, 2016

December Exhibitions

11am Friday 2 – 5pm Saturday 17 December

Opening Event: Friday 2 December, 6-8pm

Come and join us for the final round of exhibitions for 2016!

10 Junction Street Marrickville

Phaptawan Suwannakudt, Elephant and the Bush, 2003. Image courtesy of the artist.

Phaptawan Suwannakudt, Elephant and the Bush, 2003. Image courtesy of the artist.

Join us for Artist Talks and Final Hurrah for 2016, Saturday 17 December, 3pm

(gallery reopens 10 February 2017)

Gallery One and The Cranny

Grey Area

Sally Clarke, Michelle Collocott, Christine Dean, Brenda Factor, Sarah Newall, Rafaela Pandolfini, Margaret Roberts, Nuha Saad/Ali Noble, Nairn Scott, David Sequeira, Phaptawan Suwannakudt

Christine Dean, Drag Queen, 2015, oil on canvas, 89 x 89cm. Image courtesy of the artist.

Christine Dean, Drag Queen, 2015, oil on canvas, 89 x 89cm. Image courtesy of the artist.

Grey Area denotes confusion or a lack of clarity between two mutually exclusive forms, states, categories or rules. Twelve artists respond to this indeterminate space.

Gallery Two

Traverse

Gillian Lavery

Gillian Lavery, In Progress, Always, 2015, threads and pins, dimensions variable. Image courtesy of the artist.

Gillian Lavery, In Progress, Always, 2015, threads and pins, dimensions variable. Image courtesy of the artist.

Inspired by tapestry weaving and lace making techniques, this exhibition will be comprised of numerous small thread drawings that wander like constellations across the gallery walls.

Deep Space

Tabi-Tabi Po (May I Pass?)

Marikit Santiago

Marikit Santiago, Sampaguita, 2015, toilet tissue, thread, packaging tape and dried banana leaf, dimensions variable. Image: Cassie Bedford.

Marikit Santiago, Sampaguita, 2015, toilet tissue, thread, packaging tape and dried banana leaf, dimensions variable. Image: Cassie Bedford.

Tabi-Tabi Po draws upon personal experiences of Filipino superstitions and voodoo, which then serve as a metaphor for the subsequent sensations of displacement, rejection and acceptance.


A great December line-up that will keep you nourished

until we re-open on Friday 10 February 2017

december-exhibitions-copy


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November Art Conversations

Saturday 19 November from 3pm

Your last chance to catch four wildly diverse exhibitions!

10 Junction Street Marrickville

An easy 6 minute walk along Schwebel Street from Marrickville Station

Come along to AirSpace Projects this Saturday and join Glenn Locklee, Ellen Dahl, Jacqui Mills and Catherine Polcz in casual and stimulating dialogue about the ideas and methodologies embodied in their current exhibitions.

Followed by afternoon tea!

glennlockleedetail

Many know Glenn Locklee as one of the most generous contributors to Sydney’s art scene. Glenn regularly visits galleries around Sydney and enthusiastically promotes the work of other artists through social media and blogging. Now it’s his turn! Glenn Locklee’s grandparents migrated to Australia from China and started a furniture-making business in South West Sydney, which his parents continued to manage. This is the environment in which Glenn grew up. His paintings capture a wide range of Sydney urbanscapes, particularly those where light industrial zones are rapidly transforming into high rise apartment blocks. His works have opened up all sorts of conversations from the erasure of memory through Sydney’s rampant development to his work’s relationship to non-objective abstraction. It’s always great talking with Glenn. For more information visit Glenn’s blog: Glenn Locklee

ellen-dahl-new-world

Ellen Dahl, photographer and video artist, grew up in Norway. Her images, video and objects create a melancholic space informed by the darkness of Northern Hemisphere winters and sparsely inhabited Norwegian landscapes. Here she uses the idea of the island as a metaphor to explore relationships and politics. The spaces she explores offer a poetry of emptiness and isolation, while at the same time being brutally unforgiving. The relationship between the works in this exhibition have been painstakingly calibrated, perhaps not so much to create specific meanings as to evoke a mood that facilitates particular forms of reflection. Read Yvette Hamilton’s essay here

jacquimills

Jacqui Mills is an award winning video artist and Master of Fine Arts candidate at UNSWAD. Her work, Something In The Room, communicates through a sensitive play of light and shadow cast upon objects in her home. While there is a strong sense of absence, her observations bring a selection of inanimate objects to life, objects that have passed through time and many hands to arrive in this space that surrounds her. It could be that this work addresses the very notion of being.

catherinepolczstamp

Catherine Polcz draws upon her combined education and experience as an artist and scientist to present a fascinating ‘museum’ dedicated to plant consciousness. Conceptually resembling a cabinet of curiosities, her exhibition explores humanity’s relationship to the plant world, our efforts to ascertain the nature of plant intelligence and the culture that has developed around this question. It is both quirky and enlightening. Yet, are we any closer to finding out what a plant knows? Catherine is a recent arrival to Sydney from Toronto and has worked on some great projects including Mmuseumm in New York. Read Alicia Nauta’s exhibition essay here

Images top to bottom:
1. Glenn Locklee, Urban Fragment 13 (detail), 2016, oil on Alupanel, 33 x 35cm
2. Ellen Dahl, New World, 2016, archival pigment print on photo paper 33 x 46cm
3. Jacqui Mills, Something in the Room, 2016, video projection 09:35 min loop, stereo sound
4. Catherine Polcz, cultural artifact on display in Herba morbus
(all images courtesy of the artist)
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