Archives for the month of: October, 2016

Upcoming Exhibitions

4-19 November 2016

Opening

Friday 4 November 6-8pm

Gallery One

Glenn Locklee

Con-struct Redux

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Glenn Locklee’s paintings capture his observations of the increasing redundancy of small business and domestic manufacturing; and the proliferation of high-rise, high-density living as house and land ownership become increasingly unattainable.

Gallery Two

Ellen Dahl

This Is Where We Meet

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Dahl’s photographic installation explores the concept of the island to reflect back upon the contemporary self and the political. The ‘island’ as the notion of the definitive edge, with its hard boundaries and fixed limits. The individual versus the collective. Me and you. Us and them. A metaphor for the nation state. Yet the shoreline is corroding and new islands are born.

The Cranny

Jacqui Mills

Something In The Room

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Dwellers of inhabited spaces are often perceived as being the protagonists, or activators, of the spaces in which they live. Something in the Room questions the notion of presence and absence in the context of the home, suggesting that perhaps there are other protagonists activating space without the presence of the dweller.

Catherine Polcz

Herba morbus

airspace-promo-webCatherine Polcz examines the field of plant intelligence to explore the mysterious nature of plants and our relationship to nature; science fact vs science fiction and museums as trusted places that disseminate knowledge.

Images top to bottom:
1.Glenn Locklee, Density. Courtesy of the artist.
2. Ellen Dahl, Untitled, 2015, archival pigment prints. Courtesy of the artist.
3. Jacqui Mills, Something In the Room, 2016 (Video Still). Courtesy of the artist.
4. Catherine Polcz, Herba Morbus promo digital image, 2016. Courtesy of the artist.

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Artist Talks

Laura Woodward

and

Ben Denham

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Saturday 22 October, 3.30pm

10 Junction Street, Marrickville

Just 6 minutes walk along Schwebel Street from Marrickville Station

Come along to AirSpace Projects on Saturday 22 October, 3.30pm to hear Melboune-based artist and researcher Laura Woodward talk about her current exhibition, Resonate, and Sydney-based artist Ben Denham discuss his drawing machine and laser drawings.

Laura Woodward

Laura Woodward’s installation of kinetic sculptures and animations, “focuses upon those subtle, nuanced movements that can be found in organisms, in humans, and in machines, resonating across and between the animate, the inanimate, and the human-made: vibrations, tremors, twitches, pulses, rhythms, and the systems that underlie these movements. Motion, the basis of all life, is present not only in the visible, tangible realm, but right down to the atomic level. It is at the heart of our action and of our inaction, and it is the way in which we understand both time and the world around us. Investigating these movements through the development of new works, Resonate seeks to draw out the ways in which these various forms – organism, animal, non-animal, human, and machine – both resonate with and differ from each other.”

The exhibition is accompanied by a publication in which various contributors – including the exhibiting artist, an artist-curator, an artist-theorist, a poet, an anatomist, and an artist-philosopher – respond to the above conceptual stimulus. Offering texts, drawings, photographs and poetry, the contributions will interweave and overlap, exposing further rhythms, systems and resonances between and across the several practices at play.

Laura Woodward is an artist based in Melbourne. Woodward has been exhibiting sculptural, kinetic installations for over ten years. Her current artistic research involves the creation of looped systems embodied in these sculptural installations. The system’s inherent logic drives its formal and systematic emergences, opening up the opportunity for bodily resonances and experiences forged between artwork and viewer.

Woodward’s work has been nationally recognised through prizes, grants, public commissions, solo exhibitions and significant group exhibitions. She received Australia Council New Work Grants in 2010, 2013 and 2014; won the Agendo Prize for Emerging Artists in 2009; and was awarded the Vulcan Steel Postgraduate Tutorship Award and a Freedman Foundation Travelling Scholarship Award in 2007. In 2015 Woodward received a ‘Highly Commended’ award for the Art Gallery of NSW Studios in Paris Scholarship. Solo exhibitions include Ararat Regional Gallery, 2015; Margaret Lawrence Gallery, Southbank, 2013; and Linden Centre for Contemporary Arts, St Kilda, 2010. Woodward’s practice increasingly involves the creation of large-scale sculptural works for the public realm, including her major upcoming commission Murmur for Marina Tower, Docklands.

Woodward is a lecturer in the School of Art at the Victorian College of the Arts.

Ben Denham

“I grew up in the Blue Mountains and studied visual arts at the University of Western Sydney. I currently live in Croydon Park, near the Cooks River, in Sydney’s inner west. I work with performance video and make machines that engage different parts of the body in the process drawing and writing. In 2002–03 I spent a year and a half in Mexico with the assistance of the Helen Lempriere Travelling Art Scholarship. I maintain strong connections to Mexican art and activist culture. I completed my doctorate in 2009; my thesis considered the relationship between art and neuroscience, with a particular focus on gesture and linguistic embodiment. I work part time in web and media production for the Writing and Society Research Centre at the University of Western Sydney where I’ve had the opportunity to shoot and edit a new production of one of Samuel Beckett’s films and to work on a documentary about the Sweatshop Western Sydney Literacy Movement. I also teach one day per week in the drawing department at the National Art School, Sydney.” Ben Denham

In Motion Festival 2016

1-22 October at Airspace Projects

10 Junction Street Marrickville

SOUND IN MOTION

Wednesday 12 October, 6-8pm. All Welcome!

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Featuring Splinter Orchestra and Nicole Morton

Curated by Maeve Parker and Katie Winten

In Motion Festival 2016 will amplify the relationship between sound and motion, utilising audio to provoke action or, in opposition, introduce stillness.

Splinter Orchestra
The Splinter Orchestra is a large-scale electro-acoustic improvising ensemble based in Sydney, Australia. For 13 years they have provided a forum for musicians to improvise and experiment in a large group setting. Playing together is the fundamental activity, and the group meets regularly to do just that.

Splinter strives to replace the almost military-like regimentation of most orchestral tropes to provide a communal structure in which individual musicians are free to experiment with sound. Creating an environment where players can create, despite differing layers of experience, is a complex socio/political, perhaps even idealistic exercise. However, the sounds produced by the orchestra result in unique and powerful experiences for both audiences and performers. Space and context play a key part in shaping the music of the Splinter Orchestra. As improvising musicians, the group aims to maintain an awareness of their environment, spatial and acoustic, together with their own individual sonic contributions and those of their fellow players. There is a clear relationship between sound and space.

During Sound In Motion, the Splinter Orchestra will perform an extended work that traverses the unique structure of AirSpace Projects in Marrickville.

Nicola Morton
Nicola Morton is an electronic music artist that uses DIY experimental processes in composition and performance. Among her diverse approaches to music-making is her recent experiments with smart phones, Wi-Fi and psychic ability during the full moon. National Film and Sound Archive has collected a set of her solo experimental electronic recordings. She has released on Australian DIY labels: Breakdance the Dawn; Alberts Basement and European labels: Musica Dispersa and LF Records.

Nicola Morton will be improvising with synthesizers and an antenna tuned to respond to the Wi-Fi in 2 android phones and then perform: WIRELESSPSYCHICS EXPERIMENT #10: SWITCH ON/FULL MOON Share the crazy energy of the full moon with someone in your home.

Give them 2-3 Wi-Fi capable devices, whilst you shut your eyes, ask them to switch the Wi-fi ON in only one of the devices. Then you can open your eyes (or keep them shut) and pick the device with the Wi-Fi turned on. Can be done IRL or over Skype etc

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Sally Clarke

Visual Artist

Contemporary Art and Feminism

Art, Feminism, Australia, Now

CoUNTesses

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Delving into the murky depths of the contemporary London art scene

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AirSpace Projects 2014-2017

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