Archives for posts with tag: Bomba

Bomba Dance and Collage Workshops

Bomba: Afro-Latin Dance Workshop

Saturday 8 April 4.30-6.30pm

or

Thursday 13th April 11am-1pm

$60 (adult) $20* (child 12 – 16yrs)

For bookings go to Afro-Latin Dance Workshop

Hurry! Only 6 places per workshop!

Afro-Uruguayan dancer and choreographer Mariu Meneses Betervide will give a dance workshop with a focus on the connections between movement, music and culture drawing on the richness of Afro-Latin dance traditions. Mariú has been performing and teaching for over 10 years both locally and overseas in various genres and styles. This fun and rhythmic workshop set to Afro-Latin music will introduce participants to her 4 elements technique, exploring Earth, Water, Fire and Air to explore creativity and open up body and sensory awareness. Includes short introductory artist talk by Paula do Prado.

* Children aged 12 and above can join if accompanied by a parent or guardian.
Light refreshments provided.

Bomba Offcuts

Fabric Collage Workshop

with

Paula do Prado

Thursday 20 April 2-4pm

$60.00

For Bookings go to Bomba: Offcuts

But hurry! Only 10 places*

Join Bomba exhibition artist Paula do Prado for a hands on workshop turning fabric scraps and remnants into a work of art through collage. Often referred to as appliqué or reverse appliqué, you will be shown how to fuse fabric together using fusible webbing to design and create your own fabric collage artwork to take home. Whilst making you’ll be listening to some of the music that inspired the work for Bomba. The workshop includes an artist’s talk with a focus on the connection between “making do”, craft and keeping culture alive.

No previous experience required as this workshop is suitable for beginners through to experienced crafters and makers. All materials and tools will be provided but if you have cotton or linen fabric you’d like to use or donate feel free to bring it in!

* Children aged 12 and above may also register to participate however they must work in pairs with an attending parent/guardian as we will be using hot irons to fuse fabric together.
Light refreshments provided.

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April Exhibitions

7 – 22 April 2017

Opening: Friday 7 April 6-8pm

Artist Talks: Saturday 22 April 3-5pm

All Welcome!

Gallery One
Paula do Prado
Bomba

The Bomba artworks are made from a mix of humble materials: fabric samples, cloth remnants, paint and paper. The use of collage on fabric and paper relates to the traditions of ‘making do’ and the bringing together of seemingly disparate, unrelated and disjointed elements assembled together to create something new and cohesive. In Afro-Uruguayan culture there are still strong links to superstition and the merging of Christian and West African religious beliefs. Lines become blurred and slippages occur between religion, magic, art, music, dance, ritual and ceremony. Bomba or blast becomes a visual metaphor for cultural collisions and explosions, resistance and survival.

Paula do Prado is running a Fabric Collage Workshop, Bomba: Offcuts, and has organised two Afro-Latin Dance Workshops run by Mariu Meneses Betervide. Go to Paula’s page on the AirSpace Projects blog for booking links here

Gallery Two
Vilma Bader
Northern Encounters

Northern Encounters consists of two bodies of work – Käsintehtyjä Suomessa (Handmade in Finland) conceived and made in situ during a residency in Finland and Geometry and Colour System in the Doors of Tallinn researched in Estonia and completed in Australia. The works explore the mnemonic function of linguistics, semiotics and space in the construction of identity.

Käsintehtyjä Suomessa (Handmade in Finland) 2016 is an installation-based work that functions as a collection of visual poems. Made entirely from Finnish birch and spruce, the integrity of the wood is preserved. Paint is used sparingly and expressive gesture and concern for surface textures are retained, juxtaposing the hand of the artist with that of nature.

In Geometry and Colour System in the Doors of Tallinn 2017 the flattening of perspective and focus on geometric shapes and colours collide with the many linguistic metaphors and aphorisms associated with the door.

The Cranny
Sarah Eddowes
Imprints

Sarah Eddowes’ work explores the object as a static imprint of a process of transformation. Coming from a background in animation, she is interested in showing direct movement in her animated work and the extension of this to the implication of change in the static object. Despite the abstract nature of the imagery, it alludes to certain universal processes of change, notably those of the geological and the bodily. The translucency of the wax recalls bodily textures, the organic shapes resemble cells, organs or bruises, and the pervading colours of pinks and cool turquoise are rooted in the tones of the body. Elements of geology such as structural shifts and faults, layering and compression of sediment are also recurring visual features.

The process of slicing is a prominent theme, both as a method of transformation and as a means of revealing a specific view of an object’s interior, much like a geological cross section or a magnetic resonance image (MRI). This process is similarly employed in animation and cinema where an illusion of motion is created by revealing one image at a time. In this way, her static work may be seen as cinematic objects.

Deep Space
Rebecca Shanahan
Home Security

Home Security uses performed actions and self-surveillance to synthesise ideas about temporality, gendered labour and contemporary conditions of existence. Filming herself with security cameras, the artist unravels adult jumpers and uses the yarn to knit children’s hats. Home Security models and reveals the invisible volunteer labour (usually women’s) that underpins capitalist economies yet is unaccounted for. The history of women knitting for others is often political, and this work operates in the current context of global family trauma and displacement. Unfolding in real time, the activities and video meditate on transience and the multiple networked presences of performed and documented everyday life.

2018 Callout

Images top to bottom:
Paula do Prado, Bewitched/Embrujada 2016, fabric collage, 71 x 67cm. Image: Alex Wisser.
Paula do Prado, Rebel/Rebelde 2016, fabric collage, 73 x73cm. Image: Alex Wisser.
Vilma Bader, Geometry and Colour System in the Doors of Tallinn, 2017, acrylic on plywood on 48 panels, each 19 x 11cm. Image courtesy of the artist.
Sarah Eddowes, Cells II, 2016, wax and wood, 25 x 33cm. Image courtesy of the artist.
Rebecca Shanahan, Home Security, 2017. Image: Rebecca Shanahan.
Callout, airspace Projects.

 

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